It may well be that Western music’s “major scale” is a musical metaphor: do is the moment of commitment. re is establishing contact with the work you’re doing, the process. mi is when you start to feel the process taking on a life of its own. mi-fa is a crisis point, wherein you suffer some disillusionment with certain presumptions and expectations. sol is when the power returns… you’re more than halfway there! But also here is temptation, the temptation to “coast”. la is when you re-commit, on a deeper level, knowing that in following the process, you have a chance to enter into the truly creative – something unforeseeable. si-do is the transition to letting go of the “push” and just allowing the result to manifest itself! ~ David Salminen’s re-working of a very old tradition, inspired by J.G. Bennett’s explanation of Gurdjieff’s mysterious law of heptaparaparshinokh, found in Bennett’s book: “Talks on Beelzebub’s Tales”.
David’s next concert, in Portland, Oregon, on Oct. 28, 2017, 1 pm, is inspired by thinking about “The Relative Brightness of the Stars”. It will happen at the Recital Hall inside of Classic Pianos, 3003 SE Milwaukie Ave, Portland, OR, USA 97202.
It turns out that stars, just like us humans, have life cycles… most stars can be found in what astronomers call “the main sequence”… but there are many outliers, as well. The stars are similar to us, or – as we are each and all made of star dust – we are similar to the stars. (No admission charge; donations to help cover expenses and support David’s efforts are welcome.) Please share this announcement with your friends as you see fit.
“Hitch your wagon to a star. Let us not fag in paltry works which serve our pot and bag alone. Let us not lie and steal. No god will help. We shall find all their teams going the other way,—Charles’s Wain, Great Bear, Orion, Leo, Hercules: every god will leave us. Work rather for those interests which the divinities honor and promote,—justice, love, freedom, knowledge, utility.” – from Society and Solitude, by Ralph Waldo Emerson
“The Call of the Cosmos” …come join me for the unveiling of new piano improvisations linking spontaneity with classical impulses… a relaxing tribute to multi-sensory imagination… learn how to listen to the Cosmos with X-ray vision!
David Salminen in concert, 3 pm Sunday, March 12, 2017 (Please remember that our clocks “spring forward” at 2 a.m. that Sunday morning.)
open to the public – supported by donations
CLASSIC PIANOS Recital Hall (503) 239-9969
3003 SE Milwaukie Ave, Portland, OR 97202
Website & map: http://portland.classicpianos.net/contact
for more information please email: email@example.com
NGC 6357 – located in our galaxy – about 5,500 light years from Earth – Image credit: X-ray: NASA/CXC/PSU/L. Townsley et al; Optical: UKIRT; Infrared: NASA/JPL-Caltech https://www.nasa.gov/mission_pages/chandra/cosmic-winter-wonderland.html
photo by Christopher Vardas
An ancient idea occurring across many cultures is the notion that being in harmony with oneself is related to being in harmony with the world at large. Whether or not the brain waves, of a relaxed human being, vibrate at the same frequency as the earth (said to be 8 cycles per second and known as the Schumann Resonance) – composers such as myself aspire to intuitively find a music that helps people get back into a harmonic balance… this has been noted by many people. Please join us if you can, for this free concert at the Portland Piano Company on July 10, 2016, 3 to 4:30 p.m. – There is a comprehensive announcement in the Portland Mercury: http://www.portlandmercury.com/events/18292535/earth-you-are-here
If you can’t make it to the concert, or just want to hear an example of David’s music, there’s a concert excerpt on YouTube from this past January, recorded by John-Henry Dale, using a special 360 degree camera (interactive) and a new kind of microphone: https://www.youtube.com/watch?v=_xBxrRAsgPE
When I can remember myself a little more consistently, it is music that I believe in… along the lines of the famous Leonard Bernstein remark – to the effect that his response to violence would be to pursue music more passionately than ever, or Albert Schweitzer’s famous footnote to all his philosophizing about “reverence for life” – something to the effect that his life was his argument. Many good and generous people have made possible my development as a musician, by showing up and giving attention to my spontaneous aspiration toward harmony via mellifluous string plucking at the piano, and this has helped make my life meaningful. Remarkably, the making happen & the taking in of music & art, and any effort toward value realization, gives one courage – courage from the inside – a courage not dependent on external recognition. This kind of courage is linked to maturity and self-realization – not as a claim, but as an aim.
“Know your strengths and own them and don’t apologize for them.” attributed to Annabel Acton (seen on the Forbes.com website, 5/11/16) – As a kind of example… I have been able to improvise at the piano, quite amiably, since the beginning of my own memories, from around the age of 5. More importantly, as I discovered in the fall of 1980, it is possible to improvise with great purpose and result, given special circumstances. Describing such “circumstances” could result in a very long story – and one that I hope to be able to share someday. Meanwhile – let me just say that I am very, very grateful to all the people who have attended my musical meditations over the past 30-odd years, with the kind of openness and attitude that facilitates a methodology driven by spontaneity.