April 7, 2018 ~ 3 pm to 430 pm (with an intermission) ~ Classic Pianos Recital Hall, 3003 SE Milwaukie Ave, Portland, Oregon 97202 ~ phone (503) 546-5622 ~ all ages ~ donations welcome ~
Salminen’s concerts, since his cosmological series of concerts began with “Beyond Termination Shock” in 2005, are often remarked upon by people as being musical meditations. This particular concert was inspired by the astronomical phenomenon known as the Cosmic Light Horizon, which refers to the limit as to how far back in time our telescopes can see into the history of the Universe, and begs the question, “What is beyond that Horizon?” Metaphorically, we can go farther and use music as a way to contemplate “What is beyond the beyond?” as a kind of impossible query, like a Zen Koan. In honor of the late Stephen Hawking, this concert is dedicated to him and inspired by a direct quotation taken from an interview on National Geographic’s StarTalk, “The boundary condition of the universe… is that it has no boundary.”
From critics and fans: “At David’s concerts, “We, the listeners, become the music.” ~ Cheryl Kolander, Aurora Silk. “contains the very spark of life” ~ Julia Sopalski, for The Anchorage Times. “Salminen uses his rather unconventional methods to create [music] bursting with life, feeling and spectral intensity.” ~ Metro Magazine, Anchorage, Alaska
For more information ~ see the website: https://davidsalminen.com/ ~ or email: email@example.com
Prelude to my concert in Portland, Oregon, Oct 27, 2012 – 3 pm – at the Sherman Clay Pianos facility (no tickets necessary): Now I’m really gearing up for the concert this Saturday, which is dedicated to the recent discovery of the Higgs boson. I can’t pretend to follow all the scientific details and speculations about sub-atomic particle physics, what’s next in terms of research into the Higgs boson and how it operates, etc. But I still believe that it’s useful for non-scientists like myself to try to follow the gist of it. And also – as a non-scientist artist, I think that it’s important for members of the society at large to contemplate what these contemporary developments on the frontiers of discovery might mean to us. So, I’m dipping into several books on the topic – even one published just after the Higgs boson discovery was first announced out of CERN in Europe on July 4, 2012. You know, (you may know this) the physicist who’s work was central to predicting the existence of Higgs bosons some 40 years ago, particles which are said to go along with and somehow interact with quarks and gluons… a veritable “zoo” of sub-atomic particles… in order to give them “mass”, a fellow named Peter Higgs, was still alive to see this validation of his theoretical work! That alone is interesting to me, that a person might say to the world that such and such a “thing” must be there, according to his calculations and ideas, somewhere in the virtually unseen world, and then to be validated some decades later when the technology and testing procedures catch up with his predictions. So, I’m enjoying some far out reading, and imagining different ways to make music to match…
“Science has widened man’s horizons far beyond his earthly existence, and yet scientists do not notice that they have made possible a new way of thinking about the world, that would take account of the changes of scale that have put geocentric philosophies, once and for all, out of serious consideration.” J.G. Bennett, p. 187 of his 1973 book “Gurdjieff – Making a New World”
J.G. Bennett – who I met in 1971 and subsequently studied music with, at his International Academy for Continuous Education at Sherborne near Cheltenham, England – was a major influence on the development of my thinking. An interest in not only modern concepts, but also modern feelings – for the Cosmos we are all a part of – has been a major inspiration for my music.