The Music of David Salminen

How does one return to oneself, one’s sense & feeling of oneself, during the course of a busy day? I have been experimenting with “music mantras” for quite some time now. Instead of worrying about how to stop a tune that keeps running thru my head (which seems to be a common complaint in these times) I have experimented with intentionally placing a tune into my “mind” first thing in the morning, and allowing it to come up as it will during the day. I’ll run with it for awhile, and then just carry on with my business, whatever that may be. Two of the most effective tunes I’ve used for this are Finnish folk songs I memorized as a child during my early piano lessons. Someday I will have to record my piano versions of these two contrasting Finnish folk tunes, “I love you from the heart” and “I am a singing boy” – they are just marvelous. Another melody – actually a complicated melding of two contrasting themes – that arises often in my consciousness lately, as for instance right when I’m waking up in the morning, is the famous “Wachet auf, ruft uns die Stimme” by J.S. Bach. I don’t know why I love these particular tunes so much – but obviously such choices are very personal or idiosyncratic. Here is a recording of the Bach-Busoni version of my beloved “Wachet auf” – by the wise and subtle pianist of a previous generation…  Solomon: http://www.youtube.com/watch?v=nnGbzrH5NWs

“Music, as the beauty of sound, proceeds from a transcendental affirmation that is beyond all self-hood. Music in nature does not differ, in any essential way, from music in art. The thrush and the nightingale, the bull, the stallion and the lion are all artists re-creating in sound the cosmic affirmation which brought them into existence. From the time that earth first received its atmosphere, the music of wind and waves was there, a thousand million years before life had ears to hear it.” – an excerpt from “The Dramatic Universe” by J.G. Bennett (Vol III, p. 112)

An intriguing idea on how to listen to music – simple and direct – from the Ukranian-born composer Thomas de Hartmann (1885-1956): “Look into the depths of eternity.” David Salminen’s concert today, 3 pm March 30, 2014, at the Portland Piano Company in Portland, Oregon, will afford circumstances conducive to practicing that kind of listening. Join us if you can! But if you can’t, and you’re nonetheless interested in listening to music more effectively – drop me a line. Maybe we can find a way to chat about it. Portland Piano Company, 711 SW 14th Ave. Portland, OR 97205

http://www.portlandpianocompany.com

Donations to help make additional events more feasible are gratefully accepted.
For more information, call 503.762.6387

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DAVID SALMINEN – in concert – cosmic piano improvisations

Experiences in Synchronicity

Sunday, March 30, 2014, 3 pm – 430 pm

Portland Piano Company, 711 SW 14th Ave. Portland, OR 97205

http://www.portlandpianocompany.com

Donations to help make additional events more feasible are gratefully accepted.

for more information, call 503.762.6387 or visit http://davidsalminen.com/music/

Image

DAVID SALMINEN – in concert – cosmic piano improvisations

Experiences in Synchronicity

Sunday, March 30, 2014, 3 pm
Portland Piano Company, 711 SW 14th Ave. Portland, OR 97205

http://www.portlandpianocompany.com

David’s concerts invite the audience to play with the possibilities of opening up to the wholeness of life – known and unknown, big and small, friend and foe. This wholeness is often thought of in metaphorical terms as the river of time. Yet, the experiences of meaningful coincidence labeled as synchronicity are not necessarily dependent on time relations. People, events and sensations flow into and out of one’s present moment embrace, and there is a constant re-mixing and re-blending into new harmonies of meaning beyond passing sensations. While music itself is the very symbol of harmony, the kinds of harmony we speak of here are merely reflected in music as such. New harmonies of various kinds are discovered in listening, really listening… When listening becomes a general attitude of receptiveness towards the mystery – beyond, within, or between sounds and sound patterns – something different from music is possible. At his concerts, David always shares some tips on how to listen “fresh” and notice new things… the audience members are free to make their own discoveries:

“Unconstrained by concepts of necessary harmony, repetitions or fixed rhythms, the music swells into the space, forming a matrix for an intense experience of group meditation. We, the listeners, become the music.” Cheryl Kolander, author/artist, Aurora Silk
Donations or sponsorships to help support these musical discovery events are greatly appreciated.

for more information, call 503.762.6387 or visit http://davidsalminen.com/music/

related ideas and resonance: http://www.psychologytoday.com/blog/imagine/201004/cosmic-convergences-einstein-talks-about-music-improvisation-rabindranath-tagore

 

“There is a difference between one and another hour of life in their authority and subsequent effect. Our faith comes in moments; our vice is habitual. Yet is there a depth in those brief moments, which constrains us to ascribe more reality to them than to all other experiences .  For this reason, the argument, which is always forthcoming to silence those who conceive extaordinary hopes of man, namely, the appeal to experience, is forever invalid and vain. A mightier hope abolishes despair. We give up the past to the objector, and yet we hope… We grant that human life is mean; but how did we find out that it was mean? What is the ground of this uneasiness of ours, of this old discontent? … The most exact calculator has no prescience that somewhat incalculable may not baulk the very next moment.” (from the essay “The Over-Soul”, published in Emerson’s first Essay series, 1841)

For my part, especially in terms of music, it was extraordinary moments of “authority” that I experienced at performances under special circumstances – both others’ and my own – that began to give me solid data, internally, of the existence of other worlds – or of, shall we say, layers and levels to reality-so-called – that have had a magnificent “subsequent effect”. It is the continuation of that awakening, some 40-odd years ago now, that pushes me forward still to present music-meditation-concerts at the present time. If you’re in or near Portland, I hope you can join us for the pursuit of “Experiences in Synchronicity”  Sunday 3/30/14 at 3 pm, at the Portland Piano Company, Portland, Oregon. Admission is free – donations to support these events are gratefully appreciated.

DAVID SALMINEN – in concert Sunday, March 30, 2014, 3 pm

Portland Piano Company, 711 SW 14th Ave. Portland, OR 97205

http://www.portlandpianocompany.com

cosmic piano improvisations exploring…
Experiences in Synchronicity
Donations to help make additional events more feasible are gratefully accepted.
For more information, call 503.762.6387 or visit http://davidsalminen.com/music/
“Unconstrained by concepts of necessary harmony, repetitions or fixed rhythms, the music swells into the space, forming a matrix for an intense experience of group meditation. We, the listeners, become the music.” Cheryl Kolander, author/artist, Aurora Silk

related ideas and resonance: http://www.psychologytoday.com/blog/imagine/201004/cosmic-convergences-einstein-talks-about-music-improvisation-rabindranath-tagore

3/20/2014 Apropos equinox, earlier today a friend of mine reminded me of the now “classic” electronic music album “Equinoxe” – released in 1978 by the French musician Jean Michel Jarre… and I found myself remembering the first time I had heard the album… I hope you don’t mind a little anecdote… When I was studying classical piano performance up in Alaska in the 1970′s with the French-born maestro Jean-Paul Billaud, he would sometimes invited the piano “master class” up to his house in the foothills of the Chugach Mountains to listen to music on a good stereo – and to help us develop our musical friendships, I suppose. Sometimes he would have us play a game of “drop the needle”, where he would put some obscure piano concerto or sonata on the record player, and then “drop the needle” somewhere in the middle… and have us guess at the composer and work… it was a fun musical “detective” game. And it was a great way to begin to be able to identify “markers” of the different stylistic eras, composers, and even the life phases of a particular composer. And in terms of Equinoxe – at the end of one of these sessions, Jean-Paul introduced us to the music of the then young Jarre, and the brand-new-at-that-time Equinoxe recording. I had to run out to the record store later and get my own copy. I still have it, and it’s still one of my favorites! Who doesn’t love “the seasons” of our changes, individually, collectively, and cosmically!

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